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The Bamum scripts are an evolutionary series of six scripts created for the by , King of Bamum (now western ). They are notable for evolving from a system to a in the space of fourteen years, from 1896 to 1910. Bamum type was cast in 1918, but the script fell into disuse around 1931. A project began around 2007 to revive the Bamum script.

The Bamum script is also used to write the Shümom language, also invented by Njoya.


History
In its initial form, Bamum script was a pictographic mnemonic aid () of 500 to 600 characters. As Njoya revised the script, he introduced (word symbols). The sixth version, completed by 1910, is a with 80 characters. It is also called a-ka-u-ku after its first four characters. The version in use by 1906 was called mbima.
9780226907284, University of Chicago Press.

The script was further refined in 1918, when Njoya had copper sorts cast for printing. The script fell into disuse in 1931 with the exile of Njoya to Yaoundé, Cameroon. The End of King Njoya and the Bamum Script

At present, Bamum script is not in any significant use. However, the Bamum Scripts and Archives Project is attempting to modernize and revive the script. The project is based in the old Bamum capital of .Unseth, Peter. 2011. Invention of Scripts in West Africa for Ethnic Revitalization. In The Success-Failure Continuum in Language and Ethnic Identity Efforts, ed. by Joshua A. Fishman and Ofelia García, pp. 23-32. New York: Oxford University Press.


Phase A
The initial form of Bamum script, called Lewa ("book"), was developed in 1896–1897. It consisted of 465 pictograms (511 according to some sources) and 10 characters for the digits 1–10. The writing direction could be top-to-bottom, left-to-right, or bottom-to-top. (Right-to-left was avoided because that was the direction of the Arabic script used by the neighboring .)


Phase B
The second system, called Mbima ("mixed"), was developed in 1899–1900. It was a simplification of the first; Njoya omitted 72 characters but added 45 new ones. The writing direction was left-to-right in this and all subsequent phases.


Phase C
The third system, called Nyi Nyi Nfa' after its first three characters, was developed around 1902. This simplification omitted 56 characters, leaving 371 and 10 digits. Njoya used this system to write his History of the Bamun People and in correspondence with his mother.


Phase D
The fourth system, called Rii Nyi Nsha Mfw' after its first four characters, was developed around 1907–1908. It has 285 characters and 10 digits and is a further simplification of the previous version.


Phase E
The fifth system, called Rii Nyi Mfw' Men, was also developed around 1907–1908. It has 195 characters and 10 digits and was used for a translation. These first five systems are closely related: All were progressively simplified pictographic protowriting with logographic elements.


Phase F
The sixth system, called A Ka U Ku after its first four characters, was developed around 1910. It has 82 characters and 10 digits. This phase marks a shift to a full syllabic writing system able to distinguish 160 syllables. It was used to record births, marriages, deaths, and court rulings.


Phase G
The seventh and final system, called Mfemfe ("new") or A Ka U Ku Mfemfe, was developed around 1918. It has only 80 characters, ten of which double as both syllables and digits. Like the previous system, missing syllables are written using combinations of similar syllables plus the desired vowel, or with a diacritic.


Description
The 80 glyphs of modern Bamum are not enough to represent all of the - syllables (C V syllables) of the language. This deficiency is made up for with a or by combining glyphs having CV1 and V2 values, for CV2. This makes the script alphabetic for syllables not directly covered by the syllabary. Adding the inherent vowel of the syllable a consonant: + = , + = , + = , + = , + = , + = .

The two diacritics are a circumflex ( ko'ndon) that may be added to any of the 80 glyphs, and a macron ( tukwentis) that is restricted to a dozen. The circumflex generally has the effect of adding a glottal stop to the syllable, for instance is read , though the vowel is shortened and any final consonant is dropped in the process, as in and . Prenasalization is also lost: , , . Sometimes, however, the circumflex nasalizes the vowel: , , , , , (loss of NC as with glottal stop). Others are idiosyncratic: (simple loss of NC), (vowel change), , , , , , , , , , , , , , .

The macron is a '' that deletes the vowel from a syllable and so forms consonants and NC clusters () that can be used for . Consonantal is used both as a coda and to prenasalize an initial consonant. The two irregularities with the macron are , read as , and , read as .

The script has distinctive punctuation, including a 'capitalization' mark ( ), visually similar to an inverted question mark, for proper names, and a decimal system of ten digits; the old glyph for ten has been refashioned as a zero.


Modern syllabary (phase G)
+ Bamum syllabary (diacritics in gray)
mee
meÊ”
É™
yɔʔ
yɔʔ
y
ni
nɛn
kÉ”
kɔʔ
k
ɣɔm
0
ŋgɔm
m


Punctuation
+ Bamum punctuation
(2017). 9781936213160, Unicode, Inc.
?
question mark


Numerals
The last ten base characters in the syllabary are used for both letters and numerals:

+ Bamum digits
ꛯ
ɣɔm 0vü
9

Historically, was used for ten but was changed to zero when the numeral system became a decimal one.


All versions (phases A–G)
+
mɔɔmɯt
ʃum
lɔmmə
fir'i
rɔm
kpɔʔ
sɔʔ
map piet
ʃirə
ntap
ʃɔʔ nʃut yum
nyit mɔŋkɯəʔ
paarÉ™
nkaarÉ™
(unknown)
kɛt
ndaaŋgɯət
kuɔʔ

+
mɯʔ
ŋguɔʔ ("small termite")
ŋguɔʔ ("large termite")
mfiyaÊ”
sü
mbɯri
mɔntien
nyəmə
puŋaam
mɯt ŋget
fɯx
mbuɔʔ
fe
kɯəm
ma nʒɯəna
sakɯə
taam

+
nsuɔt ŋɔm
nÊ’ee
kɛt
ŋgu
məsi
mbuəm
lu
kut
nÊ’am
ŋɔm
wup
ŋguet
nsɔm
ntɛn
kuɔp nkaarə
nsun
ndam
ma nsie
yaa
ndap
ʃüʔ
ʃɛtfɔn
mbi
məmba
mbanyi
kɯsɯx
mbɯx
kɯm

+
mbuÉ”
mfo
wap
lum
nÊ’i
nsiep
mfɔn
mbaa
nÊ’ie
kwət
lie
nyɛt
nʒɯt
tɯən
nʃe
sɔt
ŋgaamə
yuwɔʔ
nyam
kɯm
wuən
rəm
ŋkun
tee
ʃe
ŋkɯəʔ
ŋkap
mfɯə
kɯətmɯn
nsiet
tɯt
kɯp
ʃɯə
pip
nÊ’ap
pɯtə
sü
nyü
kɛt
lɛt
yəmmə
ŋgaam
kuɔm
mfie
sap
ŋgwən
mfɯt
yuɔm
ndɯx
pap
maleri
yuɔp
mɯt
ndam
sɯəʔ
ntɯm
yɛn
suÉ™
nʒɯəm
kun
kɯɔt mbuə
ŋgɯx
ŋkɯri
ŋkie
tu
tuɔt
É£aa
mɯn
ŋkye
kuÊ”
fɯfɯət
nsum
nde
tɯn
mgbɔfum
mənʒɛt
lɯəp
ŋgap
ndɔn
lɯm
mɔni
ŋguɔm
mgbɯn
nʃut
puut
nʒüʔ
mgbie

+
ndap
vɯə
tɔɔn
wɯx
mbɯm
laam
lap
pu
vɔm
taaÊ”
lɔn
É£aamÉ™
paa
ŋɯrɯt
sɔm
ʃɯəʔ
raÊ”
mgbɛn
nʃuɔp
mbe
ndun
nzaÊ”
puÉ™
nkɔm
tam
gbɛt
ŋka
tum
kpɯx
küt
wuÉ”
yap
se
nyi
ŋgɯət
yit
paam
mfɯʔ
tɔɔ
ndiaÊ”
kuɔp
pieÊ”
lɔm
yüʔ
nʃie
lɯəm
ŋgɔp
fü
məm
gbɯx
ŋkɯx
ŋkup
ŋɔʔ
kɛt
nʃü
mÉ™
rimgba
ŋkaami
nʒɯx
ɣɛt
nsɛn
fa
pem
ntum
saa
pɯt
ŋgurə
yɯm
mgba
ŋgɯə
ɣɯx
nyi
ŋkɯəm
nzuÊ”
nʒəmli
pɔɔn
map
mie
lɔɔt
füt
ŋgee
nÉ™
ndiÊ”
muÉ™
tən ntɯm
ɣɯə
sɛt
fu i
pum
mvi
ndaa
puaÊ”
ŋguəʃə nyam
ŋkum
yie
kut
ɣɯn
piɛt
tuÉ™
ntap
yɯə
yɯət
pÉ”
ŋgup
tumÉ™
pa
kɯə
fu
suən
fɔm
tɯəʔ
nÊ’e

+
a
wü
a
üʔ
ka
pe
kaÊ”
peÊ”
u
fe
wuÊ”
ve
ku
feÊ”
kuÊ”
e
ru
eÊ”
ruÊ”
re
lu
rɛn
luÊ”
tÉ™
mi
tɔʔ
miÊ”
É”
n'i
ɔʔ
nɛn
nyi
rɯx
nye
rɯʔ
i
rÉ™
iÊ”
rÉ”
la
kɛn
laÊ”
kɛn ''(with high tone)''
pa
ŋkwən
paÊ”
ŋuət
rii
ŋga
riÊ”
ŋgaʔ
rie
ŋa
z
ŋaʔ
lee
ʃɔ
leÊ”
ʃɔʔ
mee
puÉ™
meÊ”
puÊ”
taa
fu
taÊ”
fuÊ”
ndaa
fɔm
ndaÊ”
mvɔp
nʒəm
wa
yəm
waÊ”
m
na
n
naÊ”
suu
li
suÊ”
liÊ”
mu
pi
muÊ”
pin
ʃii
lɔʔ
ʃiʔ
lɔʔ
si
kÉ”
siÊ”
kɔʔ
ʃɯx
mbɛn
yɯx
pɛn
sɯx
rɛn
sɯʔ
rɛn
kye
mɛn
kyeÊ”
mɛn
kɛt
ma
keÊ”
maÊ”
nuÉ™
ti
ŋuə
tɯ
nu
ki
nuÊ”
kiÊ”
nÊ’uÉ™
mÉ”
yuən
mɔn
yɔʔ ("swimming")
mbaa
yɔʔ ("cover")
mbaÊ”
ʃu
tɛt
ʃuʔ
tɛt ''(with high tone)''
yuÊ”
kpa
yun
ŋma
ya
tɛn
yaÊ”
tɛn
nʃa
ntuu
ʃaʔ
tuÊ”
kɯx
samba
ɣɯ
saÊ”
pɯx
faamÉ™
pɯʔ
faÊ”
nÊ’e
kɔvü
nÊ’eÊ”
fü
nte
ɣɔm
teÊ”
ŋgɔm
pü
püʔ


Unicode
Bamum's 88 characters were added to the standard in October, 2009 with the release of version 5.2. Bamum Unicode character names are based on the International Phonetic Alphabet forms given in L’écriture des Bamum (1950) by Idelette Dugast and M.D.W. Jeffreys:

É”
O
o
Ê”
Q
’

The Unicode block for Bamum is U+A6A0–U+A6FF:

Historical stages of Bamum script were added to in October, 2010 with the release of version 6.0. These are encoded in the Bamum Supplement block as U+16800–U+16A3F. The various stages of script development are dubbed "Phase-A" to "Phase-E". The character names note the last phase in which they appear. For example, is attested through Phase C but not in Phase D.


Bamum Scripts and Archives Project
The Bamum Scripts and Archives Project at the Bamum Palace is engaged in a variety of initiatives concerning the Bamum script, including collecting and photographing threatened documents, translating and in some cases hand-copying documents, creating a fully usable Bamum computer font for the inventory of documents, and creating a safe environment for the preservation and storage of documents.

In 2006, the Bamum Scripts and Archives Project embarked on a project to create the first usable Bamum computer font. In order to do this, the Project examined hundreds of important documents transcribed in the current and most widely employed variant of the Bamum script: A-ka-u-ku (after its first four characters). The goal of the project team was to identify the most prominent forms of the various Bamum characters, as there have been many different styles employed by literates over the years. In particular, the Project examined documents in the script known to have been written by the three most famous Bamum script literates: King Njoya and his colleagues, Nji Mama and Njoya Ibrahimou (younger brother of Nji Mama, also a well known Bamum artist).


See also
  • Nji Oumarou Nchare
  • Writing systems of Africa
  • African reference alphabet


External links

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